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Word The Cat

Word the Cat

sensory weapons

Posted by Chris on September 29, 2009 at 10:26 am  

as many of you may know, the G20 meeting in Pittsburgh last week saw the first deployment of a LRAD (’long range acoustic device’) in America. this is not the first time it had been used. previous tests/deployments have occurred/are occurring in Prison Camp Bucca, Iraq, off the Somali coast against pirates/fishermen and by the Israeli army to break up a demonstration against the separation wall. Kode9 talks about sonic weapons in relation to fear, the psychological and nervous reactions to sound:

“We all know that a siren, an alert siren, an air raid siren, or your alarm clock, we all know what they mean, but there’s a level at which they just directly get on your nerves, they’re frequencies that are there to get on your nerves and to make you act, to make you alert, and to take action immediately. Because they’ve either woken you up or they’re a signal of danger. So there’s a direct immediacy of sound, getting under your skin, on your nerves, making you respond to danger, in a fight or flight… basically reflexive or autonomic response.” via

he cites Israeli jets systematically breaking the sound barrier by night over Gaza, blitzkrieg (screaming dive bombers over Britain in world war two) and a horn used by Maroons in Jamaica to signal/anticipate an attack on the English. the G20’s LRADevice marks a shift from this through its brutal physicality. the maximum volume is 146db (at a range of 1 metre). the human pain threshold for sound is 120-140db and this volume can permanently damage hearing. here, the sound itself becomes the object of fear rather than the thing it is co-conditioned with. here is some footage from Pittsburgh (be careful, it’s quite loud).

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what is particularly disturbing to me are the forensics of this idea. the police, army or a ship from the other side of the world, whose crew is willing to use it can effectively possess you by breaking down the barrier between an external and internal threat, co-opting your senses and using them against you. it doesn’t stop at sound; the following sensory devices are currently under development or on order (these below and much of this post borrowed from here).

Raytheon Corp.’s Active Denial System, designed for crowd control in combat zones, uses an energy beam to induce an intolerable heating sensation, like a hot iron placed on the skin. It is effective beyond the range of small arms, in excess of 400 meters. Company officials have been advised they could expand the market by selling a smaller, tripod-mounted version for police forces.

The Penn State facility is testing a “Distributed Sound and Light Array Debilitator” a.k.a. the “puke ray.” The colors and rhythm of light are absorbed by the retina and disorient the brain, blinding the victim for several seconds. In conjunction with disturbing sounds it can make the person stumble or feel nauseated. Foreign Policy in Focus reports that the Department of Homeland Security, with $1 million invested for testing the device, hopes to see it “in the hands of thousands of policemen, border agents and National Guardsmen” by 2010.

and the sonic ones in full:

Long Range Acoustic Device or “The Scream,” is a powerful megaphone the size of a satellite dish that can emit sound “50 times greater than the human threshold for pain” at close range, causing permanent hearing damage. The L.A. Times wrote U.S. Marines in Iraq used it in 2004. It can deliver recorded warnings in Arabic and, on command, emit a piercing tone…”[For] most people, even if they plug their ears, [the device] will produce the equivalent of an instant migraine,” says Woody Norris, chairman of American Technology Corp., the San Diego firm that produces the weapon. “It will knock [some people] on their knees.” CBS News reported in 2005 that the Israeli Army first used the device in the field to break up a protest against Israel’s separation wall. “Protesters covered their ears and grabbed their heads, overcome by dizziness and nausea, after the vehicle-mounted device began sending out bursts of audible, but not loud, sound at intervals of about 10 seconds…A military official said the device emits a special frequency that targets the inner ear.”

In “Non-lethal Technologies: An Overview,” Lewer and Davison describe a lengthy catalog of new weaponry including the “Directed Stick Radiator,” a hand-held system based on the same technology as The Scream. “It fires high intensity ’sonic bullets’ or pulses of sound between 125-150db for a second or two. Such a weapon could, when fully developed, have the capacity to knock people off their feet.”

genre subdivision and unity in electronic music

Posted by Chris on September 26, 2009 at 12:18 pm  

“In Babylon, the prophet Ezekiel saw in a vision four beasts or angels, ‘And every one had four faces, and every one had four wings’ and ‘As for the likeness of their faces, they four had the face of a man, and the face of a lion, on the right side: and they four had the face of an ox on the left side; they four also had the face of an eagle.’ They went where the spirit carried them, ‘every one straight forward’, or as the first Spanish Bible (1569) has it, cada uno caminaua enderecho de su rostro (’each one went in the direction of his face’) which of course is so unimaginable as to be uncanny.”

Borges in The Book of Imaginary Beings

gleaned clean

Posted by Chris on September 25, 2009 at 12:13 pm  

c.1330, from O.Fr. glener, from L.L. glennare “make a collection,” from Gaulish (cf. O.Ir. do-glinn “he collects, gathers,” Celt. glan “clean, pure”). Figurative sense was earlier in Eng. than the literal one of “gather grain left by the reapers” (c.1385).

O.E. clæne “clean, pure,” from W.Gmc. *klainoz “clear, pure,” from PIE base *gel- “to gleam” (cf. Gk. glene “eyeball,” O.Ir. gel “bright”). As an adj., replaced in higher senses by clear, pure, but as a verb (c.1450) it has largely usurped what once belonged to cleanse (from O.E. clænsian), which, despite its modern spelling (16c.) retains its M.E. pronunciation. Clean in the sense of “innocent” is from c.1300; that of “not lewd” is from 1867; that of “free of drug addiction” is 1950s. Clean up “make a large profit” is from 1929. To take (someone) to the cleaners “get all of (someone’s) money” is from 1932

via

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clean could be defined as the absence/removal of dirt. absence as aesthetic. shortcuts. playing dirty. I remember reading a Ricardo Villalobos interview where he was listening to ECM. here’s a track from veteran minimalist John Hassell on ECM and a track from Sven Weisemann re/editing a piano and cello piece. the former can be got on the record ‘last night the moon came dropping its clothes in the street’. the latter can be got in full here.

John Hassell – Clairvoyance

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Sven Weisemann – Xine Zero

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topic

Posted by Chris on September 10, 2009 at 10:16 am  

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english folk label topic records is 70 years old. late junction ran a program profiling the label this week – you have about a week to listen to it here. topic was started in 1939 as an offshoot of the communist led Workers’ Music Association to sell mail order Soviet and leftist political music. after the war it became one of the first British labels to issue blues recordings before it subsequently moved into English, Irish and Scottish folk music. singer, writer and activist Ewan McColl was involved with the label from the 50s onwards. Ewan McColl would later become well known for his series of radio ballads for the BBC. these were broadcast in the late 50s and early 60s. they had a variety of themes including the construction of the M1 (Britain’s first motorway), the fishing industry and the psychology of pain. they weaved together interviews, traditional and original songs and field recordings. crucially, McColl, Charles Parker (pictured above) and Peggy Seeger used the original interviews rather than actors’ voices, making the broadcast of these programs one of the first times regional and working class accents were heard on the BBC. I wrote a bit more about the radio ballads back here and this mix drew heavily on ’singing the fishing’. topic issued the radio ballads on CD in 1999.

in the same year they issued a 20 CD collection called voice of the people which thematically collected many of the early recordings from their catalogue. here’s a tune from volume 2 themed around the sea.

Mary Ann Carolan – In London So Fair

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here’s a song from Anne Briggs’s topic-released self titled debut record. She was active in the late 60s and early 70s during a period where folk english folk music was enjoying a resurgence in popularity. You can nab the record from these fine people along with her excellent ‘the time has come’ issued on CBS.

Anne Briggs – Willie O Winsbury

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one of the more famous figures from this period is Martin Carthy who, together with his partner Norma Waterson, her family and their daughter Eliza Carthy would be staples of both topic and the english folk scene from the 60s to the present day. this is from his 1976 album ‘crown of horn’ on topic.

Martin Carthy – Locks and Bolts

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finally Shirley Collins only had two records on topic, one of which was her first record, ’sweet england’, a collection of british and american songs from 1959. as such it’s a nice representation of the topic records of the 50s in a transitional phase. unfortunately i don’t have it. so just because it’s great here’s a song from her 1969 record ‘anthems in eden’ with her sister Dolly. the full record is here.

shirley and dolly collins – ca the yowes

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shepherds delight

Posted by Chris on September 9, 2009 at 1:00 pm  

softly with falling things percussion, an excellent mix via lower end spasm.

Jam City – Mix for Lower End Spasm

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intro/keith sweat
quentin harris (viggs afrodesian mix)
dj sdoko – world on fire
jam city – funked out
dj sdoko – wesjomza feat mthoko
temza m’remb’l – eclipse
jam city – clocktower
dj twitty – sweet dance
jam city – in the park
kingdom – joshua juke
dj deeon – let me bang (jam city refix)
jam city – szabo
jam city – island
dam-funk – searchin’ for funks future (jam city edit)

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next, softly so as it can stay unscathed. an excerpt from one of the best records of the year:

0m_r eSs – Fubrik mi x excerpt

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staticy foggy

Posted by Chris on September 2, 2009 at 10:25 am  

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coralcola is coming out of massachusetts with a sounds like under spilled oil colour fog walking with the valentine. there are good things at the myspace including this mix with kate bush, grouper, telepathe and other still moving cloudy lenses. first spotted here. there’s drexciya under the sea there too.

Coralcola – Egggirl

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