“Usually an “infrared filter” is used; this lets infrared (IR) light pass through to the camera, but blocks all or most of the visible light spectrum (the filter thus looks black or deep red).
When these filters are used together with infrared-sensitive film or sensors, very interesting “in-camera effects” can be obtained; false-color or black-and-white images with a dreamlike or sometimes lurid appearance known as the “Wood Effect,” an effect mainly caused by foliage (such as tree leaves and grass) strongly reflecting in the same way visible light is reflected from snow.”
obakejaa are osaka’s oorutaichi & kyoto’s shabushabu. sounds like festival percussion upper body only ear screenburn recreation of columbus ship at double size in osaka bay with exquisite dining twice a day and the possibility of octopus. forwards!
Bruno Natal’s documentary covers dub’s rise in popularity Europe and fall in Jamaica, as well as the importance of reduction as an aesthetic (and the influence that had on just about all electronic music), and has nice interviews with congo natty, kode9, bunny lee, kruder (minus dorfmeister) and so on and on.
tom lea brings a ruff sqwad primer. rapid’s production is ridiculous whether you used to like the smiths or not. (disclaimer: I can do ‘this charming man’ at karaoke).
tom pulls out roachee’s ‘all day long’ for rapid reverberating horns, here’s another take. “last week I came across three brers frontin / I will clap em and i aint from junction”
